These are very interesting descriptions of the many paths to producing a book. It also does not editorialize much about preferred approaches. My recollection in the mid 1980s was that our mutual mentor Paul Fromer was that he did not like the practice of ghost writing. Again, this is from a long time ago, but it seemed he was especially critical of Patricia Cornwell's work for Ruth Bell Graham. Would you describe your take on ghost writing as akin to or in contrast of Fromer's?
These are very interesting descriptions of the many paths to producing a book. It also does not editorialize much about preferred approaches. My recollection in the mid 1980s was that our mutual mentor Paul Fromer was that he did not like the practice of ghost writing. Again, this is from a long time ago, but it seemed he was especially critical of Patricia Cornwell's work for Ruth Bell Graham. Would you describe your take on ghost writing as akin to or in contrast of Fromer's?